Abusing this one might produce weak results and wobbly volumes on hard surface and glossy or shiny material. It react pretty much as a soft brush with just a tip a bit flat and angular. This one ease the modeling of volumes and smoothing softer edges. I use it to simulate a loaded knife that hit the canvas on the highlight or when I need to flatten area without wanting a too digital and flat result. This knife adds very expressive stroke to the canvas with very hard (but dirty) edges. It works better on painting bright on dark stroke. This preset was designed to reveal the texture of the canvas while painting details. I'm using it as a way to fix the details of my speedpaintings. It is not that much different from the inking preset I shared a year ago on the "brush duo" presets: it has the same subtle ghosting in the stroke that will make the line interesting and not too digital regular. This first preset of the hardpainting family is the one I use for details. Also, painting with them is harder so I kept the codename as it is. I codenamed them 'Hardpainting' because I wanted to get a rendering that was far away the "soft" shading I'm used to do. This is the brushes I designed recently to paint all my speedpaintings. It has a rendering totally less plastic than a digital rounded brush with opacity on pressure while having the same ease of usage. This preset has a gentle texture that will do wonders for coloring penciled artworks. This brush draws sharps silhouettes and very dynamic strokes while having rough edges here and there.Īnother brush to block big shapes while having another texture feeling.Ī dry and soft effect for this one, I use it to prototype shapes with weak edges like smoke. It produces a subtle texture that reproduce a sort of gouache painting on paper. I built this preset and I started to paint almost all the episode with it. On episode 30 I wanted a rendering a little less smooth than the previous episode.
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Probably the brush I used the most over the last year: it has a subtle way to produce glazing with low pass of opacity but can also goes expressive at full pressure. This presets was designed to ease my time painting over and smoothing and adding details. It does wonder with a bright gray color selected. It eases the digital paint process on the top because the lines blends better with digital painting being smooth.ĭuring the storyboard of episode 30, I decided to use a large and heavily textured pencil to not dive into the details.
It's useful for reducing the noise in the crosshatching and almost get them replaced with thin gray. It is like drawing with the perfect pencil on a perfect smooth bristol paper. This drawing tool has a very digital and plastic feeling. It has a subtle grain and a soft rendering that will reveal a bit more expression than my previous "Pencil 2" preset now default in Krita 4.x. I used this pencil preset on the line-art of a lot of artworks over the last year. The rendering is not realistic but I find the pressure curve and the way it build-up softly and slowly the lines very good.
I'm starting this list with a preset I use for sketching. Here is my notes about how I use them: Drawing tools:
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